Sub and Five: Modern Interpretations. Original Artistry.
Steven Saftig
Global Head of Editorial
After Rudolph Schindler arrived in Los Angeles in the early 1920s—at the request of Frank Lloyd Wright, who asked him to supervise the construction of the revered architect’s celebrated Hollyhock House—Schindler and his wife quickly found themselves at the epicenter of the city’s progressive, bohemian counter culture. Emboldened by the nonconformist atmosphere, Schindler bucked the popular Spanish Colonial Revival trend when he designed his own home. Often cited as the first modernist home in America, the Schindler House was created for four adults, including the builder of the home and his wife, as well as the Schindlers. The house reflects Schindler’s unique approach to architecture, with a mix of private and communal spaces and blurred boundaries between indoor and outdoor living spaces. Schindler’s willingness to prioritize the actual living experience within his creations is beautifully evident in the home he later designed for his insurance agent, the Elliot House.
Built in 1930, the house fell prey to short-sighted updates like a prefab kitchen and the removal of a built-in wooden desk and cabinetry before current owners Cameron Silver and Jeffrey Snyder bought the home in 2001. Silver and Snyder worked with Leo Marmol and Ron Radziner to restore the historic home, intent on preserving Schindler’s unique approach to space, lighting, and atmosphere. And, like Schindler did in his time, they took full advantage of the most current construction methods and material options, like new kitchen appliances and a contemporary color palette. It’s this approach—preserving the original artistry of a design while modernizing it for the world of today—that made the Elliot House the perfect setting to introduce the new Sonos Five and Sonos Sub.